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January 17th, by Cary Benbow. The life of an artist is a long and difficult row to hoe. Niall McDiarmid has been working as a photographer for over 20 years, largely in print publications. He has published two books recently that feature portraits of people he photographed in the UK over the past five or so years, and recently McDiarmid shot portraits on assignment for Vogue Magazine to coincide with Fashion Week in London. After I left university, where I studied engineering, I got a full-time job as a junior reporter working in trade magazines.
I traveled around the UK writing stories, mostly on agriculture and the environment. After a year or so of this, I started to supply photographs to go with the stories. From there I returned to college to study photojournalism for a year. Oh, and a dog. It tried to bite me. CB: What do you feel makes a successful portrait? NM: A connection between the viewer and the people in the photograph. If the photographer can add his or her own distinctive style that usually makes the photograph more memorable or successful.
CB : Why do you think people like to look at pictures of people? CB: Your career has bridged the age of analogue photography dominance into the expansion of digital photography being the current standard. How do you choose to shoot digitally or work with film and film cameras?
Film photography is not a medium that suits the modern commercial and editorial photographer any more. Photo labs are few and far between and when images are needed quickly on a limited budget, the old system of developing film and scanning seldom works.
However, I chose to shoot most of my personal work on film. However after a few weeks, I realized that it was something I had an eye for. But your images are ones of inclusion, and not taken as if by a passive viewer. Many images have a connection that is perceived between you and your subjects⦠what do you feel makes your work stand apart?