Post by petermc61 » Sun Jun 09, pm. Post by Michael. Post by James Lister » Mon Jun 10, am. Post by Aaron Green » Mon Jun 10, am. Post by choro » Mon Jun 10, am. Post by Dyingsea » Mon Jun 10, pm. Post by petermc61 » Mon Jun 10, pm. Post by choro » Mon Jun 10, pm. Post by Keith » Mon Jun 10, pm. Post by mmapag » Mon Jun 10, pm. Post by Alan Carruth » Mon Jun 10, pm.
Post by kvg » Mon Jun 10, pm. Privacy Terms. Delcamp Classical Guitar Forum Skip to content. Quick links. Sheet Music by period - Renaissance music - A. Mudarra - L. Le Roy - G. Morlaye - L. Dowland - Baroque music - G. Sanz - R. Logy - F. Couperin - JP. Rameau - JS. Bach - SL. Weiss - D. Scarlatti - Classical music - F. Carulli - F. Sor - M. Giuliani - A. Diabelli - N. Paganini - D. Aguado - M. Carcassi - N. Coste - JK. Mertz - G. Arcas - J. Ferrer - F. Weidt - E.
Granados - E. Shand - M. Turina - M. Llobet - JS. Sagreras - J. Pernambuco - A. Delcamp - Women composers Cherry wood as a tonewood Construction and repair of Classical Guitar and related instruments. Cherry wood as a tonewood Post by petermc61 » Sun Jun 09, pm I am interested in the views of any luthiers about cherry wood as a tonewood, or from any owners who have actually played one. When I searched the forum I saw a few topics mentioning cherry wood with comments saying it was a viable alternative tone wood but in summary too unfashionable and cheap to be ever ordered by clients!
Now, to save time I already know the soundboard makes the bigger difference and the maker is also very critical - but putting those aside the tone wood also makes a quite noticeable difference.
Brazilian has a depth and brilliance, Indian a certain warmth, maple a 'creaminess' thanks James L for inventing that phrase.
