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It is based on a popular novel by award-winning French author David Foenkinos, which was first published in France in with the English translation the following year. The story follows Martin Hill, a ten-year-old boy who comes heartbreakingly close to securing the film role of Harry Potter. This rejection, which profoundly impacted his younger years, resurfaces as Hill now faces a life-changing moment: impending fatherhood. Asa Butterfield stars in this one-man play which opens in a Paris hospital.
Hill and his partner Sophie are attending their first baby scan and, as he contemplates the enormity of the changes and challenges ahead of him as a new father, memories of his childhood and past disappointments come flooding back. The narrative zigzags between past and present with Hill recounting his journey to adulthood, the people who shaped him and the lingering impact of being second best. His story is one of loss, failure, and self-doubt but also of resilience.
His performance is engaging β not through grand gestures, but through quiet, honest storytelling. Despite tackling some tough subjects, such as mental illness, death, and emotional abuse, the play avoids melodrama. The audience is drawn in as he reveals more and remains captivated throughout. The set, designed by Fly Davis, is deceptively simple yet striking.
Though minimal in design, the set transforms into various locations in time and place. A supermarket display of crisps feels random but serves an important narrative purpose. The film camera and TV monitor get used intermittently to add a layer of visual storytelling. The large art crate at the back of the stage is inventive. It serves a useful purpose to shift the space and bring us some delightful visual elements of the different places Hill depicts in the story.
These elements, though sparse, are highly effective in supporting the story. Timed precisely, colour changes underscore key moments. The technical aspects of this production are woven together as tightly as its script.