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A thirteen-year era will come to an end when the curtain falls on the very last premiere in June The selection of a piece from what is essentially a concert genre will once again demonstrate that, under Andreas Homoki, the definition of music theater has expanded to include much more than what is generally understood as opera.
Over the past thirteen years, this has included collaborations between the ballet and the opera, but also operetta, musicals, independent Baroque projects, newly-commissioned family operas, genre-busting experiments in contemporary music β and staged oratorios.
Which is not to say that the popular repertoire classics were relegated to the background: operas by Mozart, Verdi, Wagner, Puccini, and Strauss formed the core of the repertoire.
This final season also thrives on the contrast of musical-theatrical aesthetics and a colorful mixture of artistic temperaments. Ballet Director Cathy Marston will venture into an evening about Clara Schumann, one of the most fascinating artists of the 19th century, who is still overshadowed by her husband Robert Schumann.
One of the values that Andreas Homoki has always upheld during his tenure is that his house should pay the greatest possible artistic attention not only to premieres, but also to revivals. From the very beginning, he has insisted on maintaining the finest artistic standards in casting and taking great care in the staging and musical rehearsals in order to guarantee first-rate performances night after night in Zurich. Everything, in other words, is in place for a farewell season, at the end of which Andreas Homoki and his team will have premiered a total of new opera productions and 39 ballet evenings.