There are countless ways in which the reader can be touched, though, from excitement at battle descriptions, tenderness at the goodness of King Louis IX, or annoyance prompted by the imposing presence of the narrator himself.
Clearly, Joinville had this appeal in mind when he composed the chapters that open and close the work. There is hardly any narration, and all there is is subject to the purpose of illustrating the attributes of the monarch.
The facts enumerated have little or no logical relation between them. The frontiers between the parts may vary depending on what we consider to be the main plot, if the crusader adventure of the main characters, the development of the friendship between Joinville and Louis, or any other, but establishing these boundaries is not a concern in the present essay.
Trying to define the plot itself is, however, and this will be looked into below. If in the crusading account his enthusiasm of knightly display and bravado is evident, the Joinville of the biographical chapters openly criticises the contemporary values of the knightly class, particularly in what concerns expenditure with fashion and display.
In my view, an analysis of the characters in the crusading narrative will show the purpose to be applicable only to the opening and closing chapters. In the latter, the main character is King Louis, of which all others, including the narrator, seem to be subsidiary. In the crusading section, however, he appears to have a different role, subsidiary in its turn to that of Joinville. The king is referred again when he calls his barons to Paris to pay homage to his children, and regarding a case the Provost of the city took to his consideration.
