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To browse Academia. This can be seen as a modest attempt to address James Carey's call for a history of "the form of the report". Much prior research into this issue fails to do justice to the complexity of the journalistic development. The mediating subjectivity of the journalist stood overtly at the center of this journalism practice.
Fuller ; Glasser et al. From this point of view, journalism is also an interesting epistemic practice for studying and developing a pragmatist conception of objective knowledge Hildebrand ; Ward This chapter discusses different notions of subjectivity as an ideal in journalism and relates them to epistemological philosophy from Descartes to Foucault. The chapter argues that subjectivity — once a dominant ideal in journalism — again is rising in significance , and that there therefore exists a need to better understand what subjectivity as an ideal is, and can be, to journalism.
The chapter concludes that subjectivity should not be considered as something that opposes and obstructs objectivity; rather it should be viewed as a prerequisite for objectivity. The article explores the question of the knowledge of objective reality by journalism. Comparing the loss of meaning of the real expressed both in irrationalist hegemony in the digital territory and in important hegemonic thought currents of journalism studies, the text points to news praxis as a form of knowledge immersed in a class society, evaluating its power in pursuit of concreteness.
For this, it takes the perspective of the ontology of social being in Marx to debate the possibility of knowledge of objectivity, investigating the peculiarities of journalism in the conceptual building of materialist dialectic. Thus, it presents a critical ontological characterization for one of the central problems of journalism in the context of 21st century digital capitalism.
Reclaiming the media: Communication rights …, This article analyzes the discursive characteristics of Arnon Grunberg's reportage in newspapers. It is argued that although the Dutch novelist makes referential truth claims and uses basic journalistic techniques, the narrative means of his reportage grant him a discursive freedom that goes beyond the boundaries of mainstream journalism. By means of an unremitting and often ironical reflection on the process of representing reality, Grunberg violates the dominant norms of journalistic discourse.