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WEIGHT: 62 kg
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Because a proposition is conceived by Clark as something not to be beheld but experienced she always resisted the theater, insisting that if her work was performative, it denied performance , any material record, except for the verbal account given by a participant, is disappointingly matter-of-fact.
Assistants trained by psychoanalysts who had worked with Clark would lead the visitor, on request, through the ritual of one of the sessions. Perhaps documentation is all one can present concerning this last phase of her work, and even then the dilemma is not entirely resolved.
Take a pair of scissors, stick one point into the surface and cut continuously along the length of the strip. Take care not to converge with the preexisting cutβwhich will cause the band to separate into two pieces. The idea of choice is capital.
The unique meaning of this experience is in the act of doing it. The work is your act alone. To the extent that you cut the strip, it refines and redoubles itself into interlacings. The act is that which produces the Caminhando. The Caminhando is a modest device whose foremost function is to awaken the cutter to this precious temporal content of which our gestures have been deprived by mechanization.