Disclaimer is a journal for new thinking and writing on listening and sound. Published by Liquid Architecture. Subscribe , Contact , Submissions. Supported by Creative Australia. Aasma Tulika is an artist based in Delhi.
Her practice locates technological infrastructures as sites to unpack how power embeds, affects, and moves narrative making processes.
Her work engages with moments that disturb belief systems through assemblages of video, zines, interactive text, writings and sound. She is a member of the collective -out-of-line-, and collaboratively maintains a home server hosting an internet radio station. She is currently teaching at Ambedkar University Delhi. Their practice uses sound and media to explore relations among queer ecologies, attunement, situatedness, and speculative practices. Engaging forms of performance, installation, and collaboration, Hanley's work is interested in audition as an affective practice and the possibilities of sound and technology to support and alter the sonic expressions of humans and non-humans.
Their work reflects mostly on personal intersections of disability, queerness and diasporic ancestry in so-called 'australia'. Alessandro Bosetti is an Italian composer, performer and sound artist, currently based in Marseille. His work delves into the musicality of spoken language, utilising misunderstandings, translations and interviews as compositional tools.
His works for voice and electronics blur the line between electro-acoustic composition, aural writing and performance. Alexander Garsden is a Melbourne-based composer, guitarist and electroacoustic musician, working across multiple exploratory musical disciplines. Alexander Powers is a choreographer, performer and DJ from Naarm.
