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Follow Following Unfollow. National Theatre Bourg-en-Bresse - Communication. Bourg-en-Bresse National Theatre. Visual identity, seasonal communications. This recognition pays tribute to the work of Vincent Roche-Lecca and his team, who have worked hard to create a programme that is as dynamic as it is committed. The challenges were many, ranging from communicating a new name to adapting to an unusual programming schedule. It was clear to us that the creative concept had to revolve around the audience, which had been absent for too long.
The people of Bourg-en-Bresse and the surrounding area became the protagonists of this new communication. Drawing its inspiration from life, human interaction and everyday life, the theatre becomes, in a way, a reflection of our society.
The Podcast. Decoding, analysis and anecdotes in your ear. The face is a stage. The face is the most human of places. It is a "stage" on which the inner life of the person can be seen, with its ambiguities and abysses, and where singularity is brought to light. The face is the place of mutual recognition; the face is naked and offers to the judgement of others the features that identify us.
In short, our face is our mark of identity. Paradoxically, the face is both singular and plural. In Hebrew, face is called "panim", a word that is always in the plural and has no singular form. The plurality of panim does not mean that there are too many faces, but that the face cannot be reduced to a single unit.
