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To browse Academia. The Jazz Republic examines jazz music and the jazz artists who shaped Germany's exposure to this African American art form from through Jonathan O.
Wipplinger explores the history of jazz in Germany as well as the roles that music, race especially Blackness , and America played in German culture and follows the debate over jazz through the fourteen years of Germany's first democracy.
He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz's status between paradigms of high and low culture. Adorno's controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early s.
Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere "symbol" of Weimar's modernism and modernity. Each chapter focuses on a specific dialogic node from the postβWorld War I period to the early National Socialist era, illuminating cross-cultural tensions from Berlin cabaret to symphonic jazz and the idiosyncratic novels it inspired.
This book sets out to enrich existing scholarship, mainly in German, that has neglected the context, performance, and reception of Weimar- era jazz. Both Paris and the Weimar Republic were fascinated with American jazz in the interwar period.