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Ostensibly about a County Cork butter-and-egg man who trades in his soul for a shot at the bigtime, we can't help but feel for leads Miles Sorstin and, to a lesser degree, Abby Houdt, as they plow through Esbruque's nonsensical libretto. Sven Onsterdank's vivid camera is the sole redeemer.
But it's not enough to save this mess. Reviews are in reverse chronological order of their writing. Loved it Liked it a lot Liked it Didn't like it Hated it. All reviews are posted at Letterboxd as well. Now those behind the deed are after him, and the intrigue increases, albeit in fits and starts.
John Hough's grippingly shot by David Holmes and edited by Geoffrey Foot thriller does notβI repeat, does not βflinch on some very upsetting if thankfully non-graphic violence. It never quite fulfills the promise of its remarkable first act, but still, impressive stuff Susan George as the boy's older sister , and Tony Bonner as a tourist from the UK provide the flying sparks. Thematic double bill: The Window.
Were a woman so self-indulgently cruel to the men in her life, she would be called a tease, or worse. The acting and the dialogue are wonderful, of course. Crumb Catcher A couple on their honeymoon is stalked by an outrageous husband-and-wife team of servers from their wedding reception, who, it turns out, have a very incriminating bit of evidence against the groom.
And while narrative credibility and character smarts are not exactly priorities, the performers especially those flamboyant bad guys are clearly having funβand so are we. Its clever sound design and engaging photography help mask its obvious low budget. Does it teach us to never judge people by their immutable qualities? Is it a warning against Faustian pacting? Nothing of the sort of course, but it does provide a bit of cockeyed fun. Lead Chet Siegel is especially appealing.