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To make this HTML ebook as easy to use as possible, not only the table of contents but also all of the footnotes , which have been moved to the end of the ebook, have been linked. To read a footnote, just click on its superscript in the text. In addition, the pagination of the first edition has been retained. Page numbers appear in the left and right margins. And to mark exactly where each page of the original book begins, the first word on each page is underlined, except in the case of headings.
For accuracy, where a page in the original begins with a hyphenated word, only the appropriate syllables are underlined. Just enter the page number after the p in the Quick Navigation box below.
To return to the box, just click on any of the page numbers in the margins. Quick Navigation Enter a page number: e. Part I. Part II. By DR. The nature and character of slavery have been subjects of an almost endless variety of artistic representation; and after the brilliant achievements in that field, and while those achievements are yet fresh in the memory of the million, he who would add another to the legion, must possess the charm of transcendent excellence , or apologize for something worse than rashness.
The reader is, therefore, assured, with all due promptitude, that his attention is not invited to a work of Art , but to a work of Facts βFacts, terrible and almost incredible, it may beβyet Facts , nevertheless. I am authorized to say that there is not a fictitious name nor place in the whole volume; but that names and places are literally given, and that every transaction therein described actually transpired. Perhaps the best Preface to this volume is furnished in vi the following letter of Mr.
Douglass, written in answer to my urgent solicitation for such a work: Rochester , N. July 2, Dear Friend : I have long entertained, as you very well know, a somewhat positive repugnance to writing or speaking anything for the public, which could, with any degree of plausibility, make me liable to the imputation of seeking personal notoriety, for its own sake.